Thanks to Kishore Partchasarathi, a marketing student at York University in Toronto, for this social media overview and thoughtful review of my book.Review of Beyond Buzz
The one-line: what marketers can learn from screenwriters
The secret to selling a screenplay in Hollywood is writing a great one-line, says screenwriter Blake Snyder, author of Save the Cat: the Last Book on Screenwriting You’ll Ever Need.
Creating a great one-line is invaluable for marketing anything, whether it’s a company, product, service, book proposal, online community, a vacation spot or professional services.
You see, the one-line tells people what the product/service/screenplay is so they can quickly decide if they’re interested or not. Make it too hard for them to understand the “what it is” and they’ll simply ignore you, no matter how brilliant the product and supporting marketing programs.
Snyder says that a great one-line:
- Hooks your interest
- Helps you see the whole movie in it
- Makes your imagination run wild with where the story is likely to go
- Has a built-in sense of who it’s for
- Is somewhat unexpected or ironic
- Is emotionally intriguing
“Concentrate on writing one sentence. One line. Because it you learn how to tell me “What is it” better, faster and with more creativity, you’ll keep me interested. And incidentally, by doing so before you start writing your script, you’ll make the story better too,” advises Snyder.
Give me the same thing only different
The second most important screenwriting lesson that also applies to marketing: tell people what your product/service/book is most like and how it’s different.
In screenwriting, the more you understand the genre of your concept, the more likely you are to sell the script and write a great movie. Ditto for marketing. Help customers understand where you fit into categories that they understand — and then tell them how you’re different.
While creating new business models or wildly innovative products is admirable and noble, most don’t take off because the buyer can’t understand “what it is.” And those that do, have brilliant one-lines, like Salesforce in the early days — software you can rent instead of having to implement.
Another example is Communispace, one of the most successful private online community companies. In the early days of the company, long before terms like social media or Web 2.0 were around, Communispace CEO Diane Hessan explained that their communities were “like focus groups on steroids, only different.” Marketing decision makers got it, and bought. While many other early community pioneers no longer exist. People couldn’t understand the “what it is.”
I’m working on some new concepts and starting with my one-lines. Who knows maybe someday I’ll even be able to pitch a screenplay.
The sound experience
The experience a person has influences word of mouth — good and bad. This week I’ve been in a Hilton Hotel in San Diego with a beautiful setting, but I’d never recommend it. There is one restaurant and the food is mediocre, which I can live with for a few days, but the canned music blaring out of a sub-standard tinny sound system is god awful.
At 6 a.m. this morning I felt assaulted, with bad early 1990s pop/rock music screaming at me. Think Alanis Morissette using a megaphone in a hallway shouting “Like rain on your wedding day.” The poor choice of music and terrible sound system gave the hotel a feeling of being dated. Worse, the sound made me not want to eat in the restaurant nor recommend the hotel. Perhaps, too, the droning sound was causing the staff’s lethargy.
Interestingly, Conrad Hotels, Hilton’s luxury brand, did a survey a few years ago confirming the importance of music in hotels and finding the musical atmosphere an essential part of guest satisfaction.
One finding:
In the restaurants, there was a surprisingly high demand for classical piano and strings, taking 33% of the votes, while other musical tastes had low showings. In public areas there was a strong desire to hear classical and jazz (82%).
The Conrad Hilton hotel study said it is “committed to monitoring and evolving musical environments to meet guest expectations.”
Until its US Hilton brands do the same, I’d suggest that silence can be golden.
New research: word-of-mouth effect on sales
A new “buzz action score” from researchers at Northwestern University’s Kellogg School of Management shows that positive and negative online conversations are leading indicators of sales performance.
The research found that a relatively small group of people in online communities can have a substantial influence on purchase decisions, much like in face-to-face word of mouth.
Some implications for marketers:
- Tracking online conversations is becoming essential. By understanding the “buzz” — good or bad — you can can act early to either change strategies to improve performance, e.g., pricing, longer warranties, or boost performance, e.g., increase promotional budget for product receiving a high “buzz score.”
- Re-evaluate sales forecasting: rather than waiting until retailers report sales figures, you can being to get a sense of how well a product is doing real time by evaluating the buzz.
- Ask your brand ambassadors for help, either providing an assessment of the buzz you’re seeing or more actively sharing their views into online conversations. (And if you have no brand ambassador program or community, start now. These folks are invaluable to helping any brand succeed in a world where word-of mouth-is becoming so influential.)
Positioning that helps word of mouth
Good brand positioning should be easy to talk about, especially since word of mouth remains the most effective marketing principle.
Many of these brand positionings exist and don’t need to be overly “created” — just ask a couple of straightforward questions and tune into what people knowledgeable about the brand say. Yet many marketers ignore these conversational jewels, instead creating starched, politically correct and bland positioning statements that people rarely use in conversations.
Here are a couple of good examples.
Before a recent talk at Fisher College I asked an instructor two simple questions: “Why do people come here? What’s the appeal?”
He didn’t even have to pause before answering: “It’s like a good community college but the students get much more attention and hand holding here.” How interesting.
I asked similar questions at University of Massachusetts and got great though “off the record” answers that I use in explaining the university when the topic of colleges comes up with friends. (Talk about colleges dominates the conversations of parents of teenagers at social gatherings.)
University of Massachusetts Lowell is like a MIT-light, a great science and technology education with very successful alumni but at a state school’s lower tuition. University of Massachusetts Dartmouth is like a small, private New England liberal arts college. Good programs, lovely campus by the sea.
What I especially liked was that the explanations were grounded in meaning making: they explained the brand in context of the category and then said what’s different and relevant. Meaning sticks, where buzz and traditional marketing materials usually do not.
Over at the School of Thought blog Andrea Jarrell explains that the best school marketing publications “intrigue, inform, and entertain.” Amen. And the best positioning statements do the same — and are “talkable.”





